Prof. Gerald Cipriani, 
CertEd, PgCRM, MA, PhD

Professor of Philosophy of Culture
School of Global Studies
Tama University
802 Engyo
Fujisawa
Kanagawa 256-0805
Japan

Tel: 		(81) (0) 466 21 7734
Fax:		(81) (0) 466 82 5070
Email:		cipriani@tama.ac.jp

Profile

Professional Experience:
2007-present	Professor of Philosophy of Culture		School of Global Studies, Tama University, Japan
2006		Research Fellow 				Philosophy of Religion, Kyoto University, Japan
2004-2005		Research Fellow 				Aesthetics & Art History, Kyoto University, Japan
1996-2007 	Director of Studies & Supervisor (M.Phil. & Ph.D.) 	Birmingham Institute of Art & Design, University of Central England, UK
Lecturer / Senior Lecturer in Philosophy (M.A.) 
1993-1996		Tutor in Theoretical Studies  (B.A.  Hons.)		School of Art, Design & Architecture, Leeds Metropolitan University, UK

Awards:
2006		Research Grant, The Great Britain Sasakawa Foundation, London
2005		Research Grant, The British Academy, London
2004-2005	Research Grant, International Agreement, The British Academy/Japan Society for the Promotion of Science (JSPS, Monbusho)
1993-1996		Doctoral Research Scholarship, Leeds Metropolitan University, UK 
1993		Grant, The Sir Richard Stapley Educational Trust, London
1992		Art & Design Award, University of Wales, UK

Education:
2006-present 	Doctoral studies in dialogical philosophy East/West 	School of Oriental and African Studies, University of London, UK
1998		Ph.D. in Western aesthetics (Scholarship) 		Leeds Metropolitan University, UK
1998		Certificate in education			University of Central England, UK
1994		Postgraduate. Certificate in research methodology 	Leeds Metropolitan University, UK
1992		M.A. in art and philosophical aesthetics		University of Wales, Cardiff Institute, UK
1991		Final Study Certificate (Distinction)  	 	School of the “Manufacture Nationale de Sèvres”, Ministry of Culture, Paris, France
1987		Certificates in history of contemporary art (major); 
		French literature; German language, history and culture;
		English language (Merits) 			University of Bordeaux, France

Dissertations:
Culture in Question - The Relevance of the Thoughts of the Kyôto School in the Light of Western Ethical Phenomenology, (on-going research) Ph.D., Director of Studies: Dr Cosimo Zene; Second Supervisor: Dr. Lucia Dolce (Faculty of Arts & Humanities, School of Oriental and African Studies, University of London,) UK, September 2006-present); (2nd doctorate)
On the Figural in Painting - From Objectifying Approach to Experiencing the Event, from Realism and Subjectivism to Hermeneutical Phenomenology (117 000 words). Ph.D., Director of Studies: Dr. Ian Heywood (Leeds Metropolitan University); Second Supervisor: Prof. Nicholas Davey (Department of Philosophy, University of Dundee); External Examiners: Prof. Paul Crowther, (Corpus Christi, Oxford University); Dr. Michael Phillipson, (Goldsmiths, University of London), UK, 1998. (1st Doctorate)			
A Phenomenological Perspective on the Modernist/Postmodernist Debate with Particular Reference to the Arts (21 000 words). M.A., University of Wales, Cardiff Institute, UK, 1992.
	
Consultancy and External Examination
Kluwer/Springer Publisher, P.O. Box 17, NL 3300 AA Dordrecht, The Netherlands, Consultant for publication on phenomenological aesthetics, 2006.
University of Seijo, Department of Aesthetics and Art History, Tokyo (Japan), Consultant for Doctoral Student Seminar Presentation on French cinema and aesthetics, 20 May 2005.
Suffolk College (BA Hons. History and Theory of Visual Arts, Ipswich, UK, 2003-2004, External Examiner).
The University of Wales (BA Hons. Art & Design, West Wales School of Art, UK, 1997-2001, External Examiner and Consultant for Course Validation).
Trinity College (BA Hons. Art Practice, Carmarthen, UK, 2000-2002, External Examiner). 
The University of Glamorgan (BA Hons.Visual Arts, School of Humanities and Social Sciences, UK, 2000-2004, External Examiner and Consultant for Course Validation).

Memberships
International Editorial Committee Member of Quest: An African Journal of Philosophy, Erasmus University, The Netherlands,  2006-present 
International Editorial Committee Member of Bigaku and Aesthetics, both journals of the Japanese Society for Aesthetics, 2005-present
Member of the Canadian Society for Aesthetics, 2002-present
Research Active Member of the Research Group in Fine Art, UCE, UK, 2004-2007
Member of the International Association for Aesthetics, 2000-present
Member of the British Society for Phenomenology, 1998-present
Research Active Member of the Research Group in Art & Design Education, UCE, UK, 1997-2004
Member of the International Society for Philosophy and Literature, 2002-2005
Member of the British Society of Aesthetics, 1996-2003
Member of the American Society for Aesthetics, 1996-2000

Research Interests
Dialogical philosophy (East/West), the Kyoto School, ethical phenomenology (Gabriel Marcel); hermeneutics (Paul Ricoeur); post-structuralism (Gilles Deleuze), philosophy of religion (Catholicism and Buddhism), aesthetics (phenomenological & modern Japanese), relationship between philosophy and art practice (visual arts).

Research Supervision/Examination
Current Students:
Stuart Tait, PhD (Advisor, UCE, UK): ‘Becoming Multiple – Actual and Virtual Collaboration in Contemprary Fine Art Practice’, (Gilles Deleuze), 2006-present. (Theory/Practice research).
Phillip Harris, PhD (Director of Thesis/Advisor, UCE, UK): ‘Photography: Image and Experience’ (Martin Heidegger/Roland Barthes), 2001-present. (Theory/practice research).
Feng Su, PhD (Director of Thesis/Advisor, UCE, UK): The Interpretation of Cloud Imageries in Chinese Visual Culture – From Tradition to Contemporary Practices’ (Chinese art history/H.G. Gadamer), 2003-present. (Theory research).
Amelia Mulvey, PhD (Director of Thesis, UCE, UK): ‘Matter and Grace in Art Practice’ (Gabriel Marcel/Simone Weil), 2003-2005. (Theory/practice research).
Completed Students:
Robert Clarke, PhD (Director of Thesis, UCE, UK): ‘A Phenomenology of Ships: Time, Memory and Appearance’ (Husserl), 2004. (Theory research).
Supavee Sirinkraporn, PhD (Director of Thesis, UCE, UK): ‘Jewellery Making as an Aid to Communicating with Deaf Children in Thailand’ (philosophy of perception/semiology/Buddhism), 2004. (Theory/practice research).
Chris de Groot, PhD (Adviser, UCE, UK): ‘Transforming the Designer's Experience of the Object, as a Mediator between People and Technology’ (phenomenology), 2000. (Theory/practice research).
Bei-Chen Shiau, MPhil (Second Supervisor, UCE, UK): ‘The Artistic Use of Shadow in Painting’, 1997. (Theory/practice research).
Research Degree Examinations:
2 PhD Theses Internal Examinations, UCE, UK, 2004. (Theory and Theory/practice research).

Publications
Cipriani, Gerald (2007) ‘Cultural Experience as Conrete Self-awakening’, in JTLA, Vol. 31, Journal of the Faculty of Letters of  the University of Tokyo, Japan.
Cipriani, Gerald (2007) “Une Réflexion Dialogique entre Nishida Kitarô et Gabriel Marcel”, in Enjeux de la philosophie japonaise du XXe  siècle, ed. J. Tremblay, Montréal: Presses de l'Université de Montréal, Canada.
Cipriani, Gerald (2007) “Merleau-Ponty, Cézanne, and the Basho of the Visible”, in Merleau-Ponty and Buddhism, ed. G. Kopf, Lanham, Lexington Press, USA.
Cipriani, Gerald (2007) - ‘Dwelling in the Light of the Thou, Or the Art of the Opening Space’, in Quest: An African Journal of Philosophy, Erasmus University, The Netherlands.
Cipriani, Gerald (2007) – ‘Cultural Experience after Metaphysics: On the Thoughts of Nishida Kitarô’, Proceedings of Metaphysics 2006: Third World Conference, Rome, Italy, 6-9 July.
2007 - ‘Hope and Despair in Postmodernity’, in the Proceedings of the 21st World Congress of Philosophy, Istanbul, Turkey.
Gerald Cipriani (2006) – ‘Education as Mutual Formation in Self-expression’, Proceedings of the 13th Conference of Korean-Japanese Aesthetic Studies Society, International Conference of Aesthetics in East Asia, Art Education and Human Cultivation, Yeungnam University, Gyongsan, Korea, 05-10 August 2005.
Cipriani, Gerald & Keating, Monica (2006) “On British Visual Education”, trans. in Japanese by T. Sugiyama, in Bijutsu Forum 21, (美術フォ―ラム21) Vol. 13, Kyoto University, Japan.
Cipriani, Gerald (2006) ‘The Integrity of the Person at the Age of Virtual Productivity’, International Congress of Philosophy, ‘Person and Society’, Catholic University of Portugal, Braga, 17-19 November 2005, forthcoming conference proceedings.
2006 – Entry and abstract in Volume 40 (1) of The Philosopher's Index, (Ed. Richard H. Lineback), The Ohio State University Libraries, Columbus, USA.
2006 – ‘Du Sens de l’Herméneutique’, Article on the hermeneutics of Paul Ricoeur, Hans-Georg Gadamer and Martin Heidegger in Les Cahiers de Tunisie, Ed. Taoufik Cherif, Université de Tunis, Tunisia, (forthcoming).
2005 – ‘Ethics, Art and the Formation of Meaning: From Ontology to Muology’, in International Yearbook of Aesthetics, ed. A. Haapala, International Association for Aesthetics, Vol. 9, pp. 19-38, ISSN 1402-2842
Cipriani, Gerald (2005) “Toward an Ethical Hermeneutics for Art and its Theories”, in  FILOSOFIA (Philosophia), Yearbook of the Research Centre for Greek Philosophy at the Academy of Athens, No 35, Athens, Greece.
Cipriani, Gerald (2005) “Western Culture and the Possibility of a Responsible Humanism,” translated in Chinese in Beauty and the Way of Modern Life, Wuhan: Wuhan University Press, China.
2005 - ‘Art and the Paths of Interpretation’ in Art in the Making -Aesthetics, Historicity and Practice. (Ed. Kirsten Mey) Peter Lang AG, Bern: Europäischer Wissenschaftverlag, Switzerland, pp. 141-160. 
2005 - ‘Beyond the Institutional Site and the Ethos of the Void: The Relevance of Gabriel Marcel’s Creative Fidelity’, in the Journal of Visual Art Practice, Vol. 4, Nos 2 & 3, Ed. C. Smith, Bristol: Intellect, United Kingdom, pp. 167-175.
2005 - ‘After the Crisis of Truths in Art, The Way to Wisdom’, in the Proceedings of the 16th International Congress of Aesthetics, Rio de Janeiro, Brazil, (forthcoming).
2005  - ‘Subjectivity and the Sense of Art’, in Dialogue and Universalism, University of Warsaw, Warsaw, Poland, December, (forthcoming).
Cipriani, Gerald (2004) “From Goshu’s Disgust to an Aesthetics of Hope and Availability”, in JTLA, Vol. 29, Journal of the Faculty of Letters of  the University of Tokyo, Japan.
2004 - ‘The Calm Movement of Phúsis Revealed – Representation and Presencing in the Still Life’, in Seijo Journal of Aesthetics and Art History - Bigaku Bijyutushi Ronsyuu, Seijo University, Tokyo, Japan, Vol. 16, pp. 13-34.
2004 - 'The Art of Renewal and Consideration: Marcelian Reflections', in Revista Portuguesa de Filosofia, ed.  J. J. Vila-Chã, Universidade Católica de Braga, Portugal, Tomo 60, Fasc. 1, pp. 167-175.
Cipriani, Gerald (2003) “Noetic Validity in Aesthetic Interpretation”, in Quest: An African Journal of Philosophy, Vol. XVII, No. 1-2, Erasmus University, Rotterdam, The Netherlands.
2003 - ‘El Significado en la Forma’, in Diálogo Filosófico, trans. L. Rodríguez Duplá, No.56, ed. Maria Jesus Ferrero, Madrid, Spain, pp. 229-246.
2003 - ‘Philosophy between Image and Text: Reflections in Parallel to the Work of Photographer Deborah Baker’ in the The Great Book of Aesthetics - Proceedings of the XVth International Congress of Aesthetics, The University of Tokyo, Japan, CD ROM.
Cipriani, Gerald (2002) “The Deconstructed Deconstructing Subject: Postmodern Ethos or Incarnate Fidelity?”, in Synthesis Philosophica, International Edition of Filozofska Istrazivanja, Vol. 17, fasc. 2, University of Zagreb, Croatia.
2002 - ‘The Moment of Meaningful Form in Art: Expression or Presentation?’, in Revue Roumaine de Philosophie, T. 46, Nos 1-2, Académie Roumaine, Bucharest, Romania, pp. 237-244.
2001 - Three entries and abstracts in the cumulative Volume 34 of The Philosopher's Index, (Ed. Richard H. Lineback), The Ohio State University Libraries, Columbus, USA. p. 547.
Cipriani, Gerald (2001) Reflections on the Nature of the Figural in Art’, in Philosophical Review, ed. Yih-jing Lin, No 24, National Taiwan University, Taipei, Taiwan.
2001 - Forward of catalogue for exhibition by artist Audrey Searle Complicity and Simplexity, Queen’s Hall, Narberth, UK, June.
2001  - Book review, ‘But Is It Art?’ by Cynthia Freeland, OUP, International Journal of Art & Design Education, Vol. 20, No.2, pp. 244-246.
Cipriani, Gerald (2000) “Art, Space and Time” in Disciplines, Fields and Change in Art Education, Vol. 2, ARTicle Press, UCE Birmingham, UK.
2000 - ‘Art, Space and Time’ in Disciplines, Fields and Change in Art Education, Volume 2, Aesthetics and Art Histories, (Eds. Jacquie and John Swift) ARTicle Press, UK, pp. 11-26.
Cipriani, Gerald (1999) “Meaning in Form” in Ideas y Valores: Revista Colombiana de Filosofía, No 111, Universidad Nacional Bogotá, Colombia.
2000 - ‘Art, Theory and Experience’ in Philosophical Enquiry: International Quaterly (Ed. D. Z. Andriopoulos), Vol XXII, No 4, Aristotelian University of Thessaloniki, Greece, pp. 53-70. ISSN 1105-235X
2000 - Three entries with abstracts in the 4th Quarter Quarterly Edition of The Philosopher's Index, (Ed. Richard H. Lineback), Issue 34:4, The Ohio State University Libraries, Columbus, USA, p. 153. ISSN 0031-7993.
2000 - ‘Hermeneutics and Art’ in Philosophical Enquiry: International Quaterly, (Ed. D. Z. Andriopoulos), Vol XXI, No 1-2, Aristotelian University of Thessaloniki, Greece, pp. 85-101. ISSN 1105-235X
1995 - Entry in Artistes de la Gironde, Dictionnaire des Peintres et Sculpteurs, Bordeaux: Regards, France, p. 58. ISBN 2-9507918-2-4
1985-88 Articles in French newspapers: Sud-Ouest (Sept. 1985 & Oct. 1987); Le Républicain (Nov. 1988).

Conference Contributions and Seminars
2007 -  ‘On the Self-awakening of Culture after Nishida Kitarô’, Human Mind - Human Kind, The University of Aarhus, Denmark, 15 - 18 August.
2007 – ‘Cultural Experience as Concrete Self-awakening’, (Invited Guest), Institute of Aesthetics, The University of Tôkyô, 27 May.
2006 – ‘Representation as Background or Place for Artistic Experience? Encounter between Maurice Merleau-Ponty and Nishida Kitarô’, Art and Metaphysics Conference, International University Bremen, Bremen, Germany, 18-21 May.
2005 – ‘The Integrity of the Person at the Age of Virtual Productivity’, and Chair at the International Congress of Philosophy, ‘Person and Society’, Catholic University of Portugal, Braga, 17-19 November.
2005 – ‘Education as Mutual Formation in Self-expression’, 13th Conference of Korean-Japanese Aesthetic Studies Society, International Conference of Aesthetics in East Asia, Art Education and Human Cultivation, Yeungnam University, Gyongsan, Korea, 05-10 August.
2005 – ‘History and Innovation – The Experience of Education at the Birmingham Institute of Art & Design’, (Invited Guest), Takaoka College, Toyama University, Japan, 22 July.
2005 – ‘Merleau-Ponty, Cézanne and the Basho of the Visible’, (Invited Guest), Kyoto Institute of Technology, Kyoto, Japan, 29 June.
2005 - ‘Grace and Trust in the Formation of the Self-identity of Absolute Contradictories: On the Relevance of the Ethical Phenomenologies of Gabriel Marcel and Nishida Kitarô’, (Invited Guest for Symposium on the Philosophy of Chiasm), 26th International Society for Philosophy and Literature Annual Conference, University of Helsinki, Helsinki, Finland, 2-7 June.
2005 - ‘Self-Retraction as the Act of Seeing the Taking Place of Meaning - Between Ethics and Zen’, International Conference on Literature, Consciousness and the Arts, Department of Theatre, Film and Television Studies, University of Wales, Aberystwyth, United Kingdom, 7-9 May.
2005 - ‘Creativity, Technology and Self-awakening toward the Other’, (Invited Guest), Kyôto University, Center for Plurality and Science, Technology, Art; Kyoto, Japan, 23 April.
2005 - ‘Art as Expression of the Complementary Difference between Self-Identities’, (Invited Guest), University of Hiroshima, Department of Comparative Aesthetics, Hiroshima, Japan, 10 January.
2004 - ‘Art and Theories: Around Balthus’, (Invited Guest), Seijo University, Department of Aesthetics and Art History, Tokyo, Japan, 29 November.
2004 - ‘After the Crisis of Truths in Art, The Way to Wisdom’, 16th International Congress of Aesthetics, ‘Changes in Aesthetics’, Rio de Janeiro, Brazil, 18-23 July.
2004 - ‘Western Culture and the Possibility of a Responsible Humanism’, Chinese Aesthetics Society Conference, ‘Beauty and the Way of Modern Life’, Wuhan University, Department of Philosophy, Wuhan, China,14-16 May.
2004 - ‘Ethics and Values in Western Culture’, (Invited Guest), Hubei University, Department of Philosophy, China, 17-19 May.
2004 - ‘The Catacombs of Meaning’, (Invited Guest), West Wales School of Art, United Kingdom, 21 April.
2003 - 'The Calm Movement of Phúsis Revealed - Representation and Presencing in the Still Life', (Invited Guest), International Colloquium of Art Studies, Seijo University, Tokyo, Japan, 22-24 November.
2003 - 'Faith in the Other and the Making of Art', (Invited Guest), Department of Aesthetics, Institute for Art Research, University of Helsinki, Finland, 24 October.
2003 - 'Hope and Despair in Postmodernity', 21st World Congress of Philosophy, Istanbul, Turkey, 10-17 August.
2003 - 'The Aesthetic Author and the Paradox of the Responsibility to Disclose', 27th  International Association for Philosophy and Literature Annual Conference, Leeds University, Leeds, United Kingdom, 26-31 May.
2003 - 'Dwelling in the Light of the Thou, or the Art of the Opening Space', 2nd Mediterranean Congress of Aesthetics, Association Tunisienne d'Esthétique et de Poïetique, Université de Tunis, Tunisia, 6-8 March.
2002 - 'For An Ethics of Hope and Availability In A Multi-Relational Culture', 26th International Society for Philosophy and Literature Annual Conference, Erasmus University, Rotterdam, The Netherlands, 3-8 June.
2002 - 'The Temporality of Hoping in Artistic Creation', 19th Annual Conference of The Canadian Society For Aesthetics, University of Toronto, Canada, 25-27 May.
2002 - 'Toward an Ethical Hermeneutics for Art and its Theories', Ethics across the Disciplines Conference, Viterbo University, USA, 18-20 April.
2001 - 'Interpretation and Psychoanalysis: A Philosophical Critique', (Invited Guest), West Wales School of Art, United Kingdom, 16 November.
2001 - 'Philosophy between Image and Text: Reflections in Parallel to the Work of Photographer Deborah Baker', 25th International Congress of Aesthetics, Tokyo, Japan, 27-31 August.
2001 - 'The Touch of Meaning - Researching between Text and Texture', Research Degree Conference, University of Central England, Birmingham, United Kingdom, 19 May.
2001 - 'Beyond the Institutional Site and the Ethos of the Void: The Relevance of Gabriel Marcel's Creative Fidelity', Theoros Conference, University of Dundee, United Kingdom, 26-27 January.
2000 - ‘Art, Duration and Spatiality’, British Society of Aesthetics Annual Conference, Oxford University, United Kingdom, September.
1999 - ‘Art, Space and Time’, Art Education Discourses Conference, University of Central England, United Kingdom, November.
1999 - ‘The Sensuous and the Gaze - A Philosophy; in collaboration with, photographer Debbie Baker’, Research Seminars, University of Central England, United Kingdom, March.
1998 - ‘Art, Theory and Experience’, Theoros Conference, University of Dundee, United Kingdom, May.
1997 - ‘The Relevance of Kantian Aesthetics Today’, (Invited Guest), Forum on Aesthetics, West Wales School of Art, United Kingdom. 
1997 - ‘Structuralist Strategies and the Image’, Forum on Aesthetics, (Invited Guest), West Wales School of Art, United Kingdom.
1997 - ‘Postmodernism, Poststructuralism and Deconstruction: A Parallel between Philosophy and Art’, Forum on Aesthetics, (Invited Guest), West Wales School of Art, United Kingdom.
1996 - ‘Hermeneutics and Art: Methodology or Constitutive Experience?’ MA Fine Art Critical Theory Programme, School of Art, Design and Architecture, Leeds Metropolitan University, United Kingdom. 
1996 - ‘From Language to Image: On the Notion of the Figural’, Theoros Conference, ‘Word and Image’, University of Wales Institute, Cardiff, United Kingdom.
1995 - ‘Beyond Representation and Narration: For a Figural History of Art’, Second Annual Graduate Symposium Northern Universities Group, ‘History and Representation’, University of Leeds, United Kingdom.

Current and Recent research Projects
Books:
Beyond Modern Metaphysics and Postmodern Relativism: The Experience of Meaning in the Philosophies of Nishida Kitarô and Gabriel Marcel, work in progress in comparative philosophy applied to interpretation, following Research Fellowship at Kyoto University, (Japan); targeted date for completion: 2007/8.
The Available Self - Marcelian Reflections on Art, work in progress on ethical issues in art and interpretation, from a series of conference papers, (possibly with Peter Lang Publishers, Switzerland), targeted date for completion: 2007/8
Parallels – Philosophy and Art, work in progress on the relationships between various philosophies and particular art practices, from a series of conference papers, (possibly with Sage Publications, UK); targeted date for completion: 2007/8
Art and Sense - A Study in Hermeneutical Phenomenology, work from 1st Doctoral Thesis, (considered by Associated University Presses, USA); targeted date for completion: 2007
Journals: 
Creation of a new multilingual journal of philosophy of art (English, French and German): The Journal of Phenomenological Aesthetics, in collaboration with Prof. Arto Haapala (University of Helsinki, Finland). 
Essay on the relationship between ontology and figurative sculptures: 'Figure and Being'.
Four short articles for French newspaper Le Républicain: 'La Vérité de l'Art'; 'L'Enjeu de l'Art: Communiquer l'Evènement'; 'A Propos de l'Art: Du Sens et du Sensible'; 'L'Art dans la Cité'.
CD ROM publication in collaboration with J. Roberts, Archaeology, University of Wales and Carmarthenshire Museum, UK: 'Phenomenology and Archaeology: A Look at Pre-Colombian Figures'.
Other Completed Articles:
‘Figure and Structure: Ferdinand de Saussure Reconsidered’ (Doctoral Thesis)
‘The Figural as Critical Object’ (Doctoral Thesis)
‘Meaning in Retrospect: On Paul Ricoeur and the Question of Desire’ (Doctoral Thesis)
‘Collecting Sense with Jean-François Lyotard and Norman Bryson: History or Actuality?’ (Doctoral Thesis)
‘On the Dialectics of Sense: Hegel in Question’ (Doctoral Thesis)
‘Complementary Difference in Disruption: Object, Subject and Experience’ (Doctoral Thesis)
‘The Reconstructive Nature of the Event of Meaning’ (Doctoral Thesis)
‘Phenomenology and Art: Following Henri Maldiney’ (Doctoral Thesis)
‘A Posteriori: The Metaphysical Function of the Experience of Meaning’ (Doctoral Thesis)

Exhibitions
Kyôto Shibunkaku Art Gallery, Japan, (drawings), July 2005.
Kyôto University, Japan, (drawings), April 2005.
Kyôto City Campus Plaza, Japan, (drawings), March 2005.
Drey Gallery (sculptures), 181-3 King’s Road, London SW3 5EB, (1993)
One Man Show (paintings, sculptures, drawings), Centre Culturel des Carmes de Langon, France (1987).
One Man Show (paintings, drawings), Ancien Hôtel de Ville de La Réole, France, (1985).
Regularly took part in several painting group exhibitions in France (1983-91).